A BLACK CRITIQUE

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John Brown's Body
On Memorial Day and Historical Correctives
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A BLACK CRITIQUE
The Wrath of Black Capitalists
Ja Morant and the Question of Meaning
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A BLACK CRITIQUE
2
Homeless and Hypervisible
A Eulogy for Jordan Neely
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A BLACK CRITIQUE
April 2023
And on the Topic of Trust
Brittney Griner, Brand Identity, and the Conditions of Redemption
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A BLACK CRITIQUE
2
Scenes of Abjection
Ralph Yarl, Beef’s David Choe, and Artificial Intelligence (TW: Sexual Violence)
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A BLACK CRITIQUE
Antiblackness and Its Ethics, The Redux
The Tennessee Three and American Democracy
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A BLACK CRITIQUE
Antiblackness and Its Ethics
Trump’s Indictment, Caitlin Clark/Angel Reese, and the Rule of Law
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A BLACK CRITIQUE
March 2023
The Politics of Seduction
Jonathan Majors and the Currency of Mass Desire
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A BLACK CRITIQUE
The Quandary of Bloody Sunday's Legacy
Selma, Atlanta, and Cop City (Revisited)
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A BLACK CRITIQUE
February 2023
Finding Our Roots, Losing the Plot
Angela Davis, Henry Louis Gates, Jr., and the Bastardization of Black History
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A BLACK CRITIQUE
Who Do You Love?
Rihanna, Railroad Workers, and Representation
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A BLACK CRITIQUE
The Future Belongs to the Bullet
Tyre Nichols, The State of the Union, and Jackson, Mississippi
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A BLACK CRITIQUE
© 2023 Brittany Carter
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